Category: Creator Confidential
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Anna Wintour on audiences
The relationship between creator and audience is one of leading and following. If you’re a creator, you may find that you’re best off making things that you wanted to see yourself; that your audience will follow you because they want the same thing. For me, I’m glad I caved into my instinct and found the…
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Write the book you want to live
On either fence of, “Write what you know,” I tend to lean towards writing about what I don’t know; “Write What Obsesses You,” as Meg Wolitzer describes it. A year after publishing Creative Doing, and a few years after the initial manuscript, I still pick it up and enjoy flipping through it. Although there are…
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Cut it in half
A constraint is the best way to start making creative decisions. One prompt I’d recently come across, from observing feedback on various drafts, is simply to cut the word count in half. How can I summarize? Would there be a good rephrasing that can keep the original intent? If not, what elements will I keep?…
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A little flame of talent
At Granta, Kent Haruf writes: When I finished that novel I wrote John Irving to ask if he would connect me with his agent, and he said he would. He said he had sent fifty writers to his agent and he hadn’t taken any of them, but maybe he’d take me. And he did: I…
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Contentions: A good brand enables profit margins and product expansion
It’s obvious that it takes money (or time) to nurture a brand. What’s much less obvious is that a brand also pays off in the long run in more money, in the form of profit margins. Jon Lax writes: The only purpose of a brand is pricing power. The stronger a brand, the more pricing…
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The illusion of catching up
One of the most important parts of hesitancy is that it compounds. When you notice other people making progress, and you feel caught in inertia, it’s important not to let your own expectations get away from you; you’re not going to catch up by aiming to catch up. Let’s say you and your friend had…
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An author, on both sides of publishing
When I first independently published Creative Doing, the initial manuscript was 10,000 words (⅓ of its current length), published under a different title, as a PDF digital download on Gumroad. A few months later, I would connect with Holloway—as a cold submission—and sign a publishing deal with them. A year after that, after much editing…
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Who benefits from low agency beliefs and behaviors?
Legacy intermediaries (e.g., middlemen such as traditional publishers, record labels, agents, etc.) are incentivized to make you think that you need them. This belief gives their businesses the best chance of continued survival and better advantages. The key is: whether you actually need them or not is entirely another matter; they only need you to…
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To promote your work on social media, ask friends to like or share, and send them a calendar invite
Because there’s so much noise on the internet, it takes an extremely loud one to stand out. In marketing, there’s a heuristic known as effective frequency, also less formally as the Rule of 7; in order for a person to commit to trying your product, they need to hear it at least 7 times. Given…
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Creative Doing, now available on Kindle
In the past couple of years, I’ve done most of my reading on an ebook reader (an Amazon Kindle). I love paper books, and I’d sworn by them through most of my 20s; then I moved across the world and couldn’t bring them with me. I’m slowly donating them to the library. As you can…